The Shoe Box (1)
Teresa Ann Salyer

 

                      ACT ONE 1.

                      SCENE 1


It is just dawn. FANCY, her two girls, WENDY and CHARLENE are asleep. SAMMY is asleep in a corner of the big room in front of the ancient fireplace. The room’s walls are covered with pages of magazines to keep out the wind. We can hear the wind howling outside the small shack. Suddenly, we hear the sound of banging outside! MAM comes
into the shack suddenly, beating a wash tub with a stick!

MAM
You stole my sheets!

(MAM moves towards WENDY a young
girl of twelve.)

WENDY
Mam, Mam, what are you doing up so early for?

MAM
Sinners shouldn’t sleep. You and your sister is bastards, you know that, don’t you. You don’t deserve to even lie on these sheets.

WENDY
Mommie! Mommie!

(FANCY wakes up and tiredly gets out
of bed, knowing that she will have a
long hard day of farm work to do.)

FANCY
Baby, I’m up. Don’t listen to that old, crazy woman. I’ll make a good breakfast.

SAMMY
Flarie, will you make your good biscuits?

` FANCY
I sure will. And gravy. And nice eggs.

SAMMY
The way I like them.

WENDY
All runny! Yuck!

SAMMY
You can dip your biscuit in it! 2.

WENDY
Stop Sammy, I’m getting sick.

FANCY
Are you feeling sick now Wendy?

WENDY
No, I’m fine Mommie. Don’t worry about my anemia today.

FANCY
No, I don’t have the time to worry about your anemia today.
Rouse your lazy sister

WENDY
Wake up, Charlene. Wake up.

CHARLENE
Who the hell could be asleep through that racket. Mean old
bitch. She will one day burn in hell for all her crazy meaness to us.

FANCY
Charlene, this is her home. We are only invited to stay.

CHARLENE
You work like a horse, Mommie. I saw you faint the other day. You aren’t eating enough.

FANCY
Don’t worry about me Charlene. We will all be fine. We are all doing fine. My girls and little Sammy there

SAMMY
And some bacon. Do we have any bacon Fancy?

FANCY
No bacon Sammy. Gotta slaughter a pig this fall for bacon.

CHARLENE
No, mommie. Don’t kill that pig. He is cute. I like him.

FANCY
The pig again. Charlene, stop worrying about the pig. I’ll tell you something to worry about. Your sister. Severe anemia. Worry about that.

(MAM picks up the wash tub and stick
and begins to bang the wash tub
again.)

MAM 3.
I tell you, your mother was a slut. You are all bastards. She’ll burn in hell. You don’t deserve to sleep under this roof.

(Everyone gets up and makes their
        beds.)

WENDY
Sammy, will you show me that new chord on your banjo.

SAMMY
Sure, Wendy. It’s easy to learn.

CHARLENE
Sammy, you are a simpleton, if you can learn to play the banjo, then anyone can! You can barely tie your damn shoes!
Look at your face! You need a good scrubbin’.

FANCY
Charlene. Enough of that.

WENDY
You are so jealous of Sammy. All because he can play the banjo, beautifully. And you cannot carry a tune.

CHARLENE
And how, Miss Missy would you know that?

WENDY
In church. I’ve heard you sing. (She whistles). You’d charm the birds out of the trees, oh yeah. Like they been hit by a rock!

FANCY
Enough Wendy! Sammy has a gift. He can make music!

(She has to sit down suddenly on her
bed.)

WENDY
Mommie, what’s wrong, are you all right?

FANCY
I’m fine. Just need a minute. I’ll feel better with some food in me.

WENDY
You aren’t eating enough Mommie. And I know that you are saving your meat for me. (She puts her arms around her mother.) You’ve got to eat more Mommie. You’ll die if you don’t. 4.

FANCY
Say, there Sammy. Play something nice for us on your banjo. We’ll all feel the better for it.

(He gets out his banjo and walks over
   to Fancy. He plays OH SUSANNA on
his banjo.)

FANCY
That’s fine. Boy, that’s fine.

(MAM gets out the wash tub and stick
and begins to beat on the tub, making
a terrible racket.)

FANCY
Oh, my Lord. My Savior. Will I ever find any peace for my sins?

























                         




SCENE 3 17.


     The woods outside the shack. Mountains loom in the distance. The trees have their Fall leaves. We hear the sweet melody of a mountain stream nearby. SAMMY has his foot propped up on a tree. WENDY ties his shoes for him.

WENDY
You know, Sammy. Your shoes are just about worn out.

SAMMY
Yeah, just about.

WENDY
And your big toe is sticking out. See?

SAMMY
(Looking down to see) Yep. Sure is.

WENDY
I wish I could be like you Sammy. Nothing worries you. Nothing in this world at all.

SAMMY
Nothing at all. (Picks up his banjo and begins to play
                  SHE’LL BE COMIN’ ‘ROUND THE
MOUNTAIN.)

WENDY
As long as you have that banjo.

SAMMY
My banjo.

(Suddenly, JOHNNY MILLER, from the
Miller family comes out from
behind a tree.)

WENDY
Johnny Miller! What the hell are you doing here on our land. If Mam could see you, she’d drop you dead.

JOHNNY MILLER
I don’t doubt that one iota. Your grandmother is crazy. That’s the God’s truth. One day Little Miss, I might just tell you why your Granny went crazy. It was about your Mommie, and..
.

18.

SAMMY (Hurridly)
Wendy, we got to go now. Fancy might just go crazy and kill us if we are late for dinner.


WENDY
Yeah, Mam is crazy all right. But, she saw you take some bacon out of the curing house. That was our food and you stole it!

JOHNNY MILLER
Things was bad and I was hungry. Now, things are different. (He hands her several coins) That will pay for the bacon. You are a very pretty girl. Pretty hair and all.

SAMMY
Wendy, we got to go now. Thanks for the money, Sir.

JOHNNY MILLER
Bye, now Pretty Miss. With that pretty hair.

(JOHNNY looks up and sees a bird. He
fires a shot from the shotgun he
carries.)

JOHNNY
Well now, Johnny Miller, looks like you got yourself dinner tonight. Looks like them O’Briens have their supper going. Now, Johnny it is a sin to steal and a sin if you don’t share, with those that are hungry. But, Lord, upon my soul, it is a fact that we both would rather shoot each other in the back than to set down to supper. (JOHNNY picks up the bird.) You’ll be good eatin’. My Mam will clean you up good and cook you up good. See ya later Pretty Miss, with the pretty hair.
                  











.

19.

SCENE 4



     SAMMY is playing WHEN THE SAINTS GO MARCHING IN on the banjo in the one room shack. FANCY, WENDY, CHARLENE and MAM are clapping their hands to the music.

FANCY
Sammy plays just like an angel.

WENDY (Jokingly)
Do angels play the banjo.

CHARLENE
Oh, I’m sure angels play much better than that old Sammy! And they wouldn’t have to stop to get a drink of water. Or, stop because they need to rest.

WENDY
Stop Charlene. Sammy gets tired after a day in the tobacco. That’s all. He is a wonderful artist!

CHARLENE
Artist! What a fancy word from you Wendy. Been reading your fancy magazines again! That fancy lady that runs the store, of course.

WENDY
Yes, Mrs. Taylor saves them for me. I love her for it.

CHARLENE
Get those fancy notions out of your mind. You are nothing but a bastard in this world. I’ve seen your little shoe boxes, where you cut out the curtains in the fancy magazines and paste them up. And the windows. And the fancy table and chairs.

WENDY
Yes, so what Charlene. Don’t you have a dream in your thick and cruel head.

(CHARLENE watches SAMMY play.)

CHARLENE
Not a dream so much as a wonderment. Why are God’s gifts given to the likes of a simpleton, like our Sammy. Now, he is dim. That’s the truth. Why aren’t any gifts saved for someone like me. Aren’t I a good girl? Or, because I am a bastard, God will never give me nothing. No kindness from others, who know I am a bastard. And nothing from God. It ain’t fair Wendy. It ain’t fair. And I feel this burning hatred inside me. Growing stronger. 2o.

WENDY
I know, just the walk to school.

CHARLENE
Those Millers taunting us. Bastards. Bastards. Even having to share their books with us.

WENDY
I know.

CHARLENE
And everyone in town knowing all about us. I can’t take it anymore Wendy. And even God seems to have his own priorities.

WENDY
But, Charlene, we will make our own way in life. We will work hard.

CHARLENE
So hard. And look how easy it is for Sammy there. He was just given a gift. Snap!

WENDY
Charlene, it is the only gift that he has in the world. And you are a big, strong healthy girl. God has been good to you.

CHARLENE
Still..

(MAM stands up and begins to do a
jig. The others begin to cheer and
   clap their hands.)

FANCY
Hey there Charlene.

CHARLENE
Hey, Mommie. Say, Mommie, did you save a piece of that sausage for me.

FANCY
Yes, Charlene, I did. Don’t say anything to Wendy. She is so thin..

21.
CHARLENE
I won’t, I swear.

(CHARLENE kisses FANCY)

CHARLENE
I love you Mommie.

FANCY
Look at your Mam doin’ that jig! She still has some fire in her. Don’t she?

CHARLENE
Fire and piss!

FANCY
Charlene. Yeah. A lot of fire and piss!

(MAM has to sit down suddenly.
WENDY brings her a glass of water.)

WENDY
Mam, are you OK. That was a great jig. Where did you learn to dance like that?

MAM
Pap. He taught me, when we were both young. And he could still dance a fine jig even after he lost his leg on the Baltimore Union Pacific! (FLARIE moves towards MAM). Ain’t that right Fancy!

FANCY
Oh, hell. Pap could really do a jig! Mam would play the banjo and away he’d go. And after a hard day in the fields with a mule and plow, too. God rest his soul. You know, I saw Pap right after he died.

MAM
Shusss.

WENDY
You did?

FANCY
He was sitting in that rocker over there. I’d gotten up to get a drink of water. When I looked again, he was gone.
.



MAM 22.
Well, heaven was too good for that no count bastard!

FANCY
Mam!

MAM
Fancy, he left me with thirteen children to raise on my own. A mortal woman would go insane. Thirteen children and a farm to run. Horses, chickens, pigs, cows, a small kitchen garden, and a field of tobacco. Calloses on my hands and the hot sun on my back! That’s all he left me in this
world.

FANCY
All true. Though a kind and good man can’t be held accountable for what happens after he has leaves this world.

MAM
Or, what happened to his favorite daughter.

FANCY
Mam, let’s not get into that tonight. I’m happy.

MAM
Wouldn’t leave that Miller boy alone. And those Millers are all scum. A skunk wouldn’t piss on them!

FANCY
Not even a skunk! Yet, he was a fine boy.

MAM (Scarcastically)
A fine boy. They dug three bullets out of him, I heard.

FANCY
Mam, I can’t talk about Jimmy.

MAM
Two were in the heart. One was in the eye.

FANCY
Mam. I can’t speak about him.

MAM
I woke up that night, out of a sound sleep. I had a notion that you was gone. I checked your bed. You was. I couldn’t stop Pap. He dressed, put his boot on and grabbed his gun. I cried. I tried to stop him. I pleaded with him, Oh, Pap. Don’t go over there to those Millers. Fancy ain’t worth it. She is just a whore and that’s all she’ll ever be in this world. He wouldn’t listen. He loved you. He was going after you. He was going over there to the Miller’s land to fetch you back home. He had his gun.
23.
FANCY
Oh, yes, Lord, he had his gun.

MAM
He went right straight up to the Miller house. He knocked on the door. He demanded you come out of that damned house.
Old Mr. Miller answered the door. His wife was ascared standing there beside old Mr. Miller. There was little children hanging onto her. She fretted and tried to calm old Mr. Miller down. ‘Old Mr. O’Brian ain’t worth your bullet, Lester.’ Calm down.’ She said. Pap said, ‘I have come to collect my daughter Fancy. I want to take her home now. Mr. Miller said, she ain’t here. We ain’t seen that whore. She certainly ain’t welcome in this Christian house.’ Pap suddenly bursts inside. He sees you there with that Jimmy Miller. Pap shoots Jimmy with three bullets. And Mr. Miller shoots Pap, right straight in the heart. He was dead on the spot. Fell to the floor.

FANCY
Pap shot my Jimmy. Then he was shot. Dead.

MAM
Dead.

FANCY
And my girl’s daddy was dead!

MAM
He never married you. They are bastards FANCY.

FANCY
Mam. They had a daddy. I loved him.

MAM
I had a husband and I loved him.

FANCY
I loved Pap.

MAM
And you are the reason that Pap is dead. You are the reason that Jimmy Miller is dead.

FANCY
Let sleeping dogs lie. I want to hear Sammy play. I am –


happy tonight. 24.

(MAM gets a bucket of water and
throws it on the fire in the ancient
fireplace. Everyone stops and looks
at the smoldering fire.)













































25.

SCENE 5



     The stage is decorated as the inside of WENDY’S shoe box. The walls, are painted as of scraps of magazine pictures, which have been cut out and pasted on the walls. The window curtains, pieces of expensive furniture, light fixtures, portraits in frames, etc. There are real tables, sofas and chairs on stage. WENDY enters right. A GUEST, a lady of refinement, stands center stage.

GUEST
Oh, WENDY you home is so lovely. Such lovely furniture. I love the drapes.

WENDY
Thank you. I ordered them special. Thank you for coming.

GUEST
I wouldn’t have missed one of your dinner parties. The talk of the town! Your chef is exquisite! Your champagne magnifice. Your hor derves are wonderful. Your gown is French. No? You picked it up in Paris, when you were last there?

(The GUEST exits left as SAMMY enters
right.)

SAMMY
Wendy Ugenia O’Brien, you are in your shoe box again!

WENDY
Oh, hush Sammy. I’m dreaming.

SAMMY
You spend more time in this drat shoe box than you do awake!

WENDY
I feel more at home here, Sammy. There are nice things here. Pretty things. Curtains on the windows, carpets on the floors. Comfortable cushins to sit in.

SAMMY
And me?




WENDY 26.
And you. You drop by from time to time. Look at your feet.

SAMMY (Looking at his feet)
New shoes!


WENDY
Your big toe isn’t hanging out Sammy O’Brien.

SAMMY
Whatja know about that!

WENDY
I like it here Sammy.

  SAMMY
And food?

WENDY
Well, dear Sammy, I ain’t quite got the food thing down yet. Or water for a drink. I am so thirsty for some water, Sammy.

SAMMY (disappointed)
No food. Shit!

WENDY
Sammy!

(FANCY walks on stage. She is
dressed beautifully, with her hair
styled beautifully as well.)

WENDY
Mommie!

SAMMY
Fancy!

FANCY
We are in Wendy’s shoe box again. Nice dress!

WENDY
You look beautiful Mommie!

SAMMY
Beautiful. Wow!

FANCY
Wow, indeed, Sammy. Nice place Wilma. Beautiful furniture. Beautiful curtains. Nice rug. 27.

WENDY
Oriental carpet.

FANCY
Whatever, baby.

(FANCY touches WENDY on the face.)

FANCY
You still got that awful temperature, Wendy. You are burning up. I been fretting over you all night. And
to think, you were happy in your shoe box all this time.

SAMMY
I came to get her Fancy, but I got to liking it here.

FANCY
It’s a nice enough place, this shoe box. But, I wouldn’t want to be buried here.

(MAM, PAP and CHARLENE enter stage
right.)

CHARLENE
Oh, Christ, we is in the damned shoe box again. Wendy O’Brien. I am gonna slug you!

SAMMY
You can’t slug her. She’s sick. Fancy is worried about her.

FANCY
Pap, what are you doing here?

PAP
I came to collect Wendy, if the fever doesn’t go down.

MAM
Oh, Pap, you always did watch out over your family and the little ones. Even if they is only bastards.

PAP
They are our family, Mam.

MAM
They is.

WENDY
Mommie, is that Pap? I ain’t seen Pap since I was real little. 28.

FANCY
Hush, Wendy. This is just a dream. You’re in the shoe box again, Honey. Nothing could harm you here.
(Suddenly, JOHNNY MILLER bursts in
through the door. He is drunk. He
carries a bag. He also has a shot
gun.)

FANCY
Johnny Miller, Christ on his throne! What in Sam hell are you doing here? What are you doing with that shot gun in this Christian home?

JOHNNY (noticing the shotgun)
Oh, I forgot I had old Betsy. I carry her everywhere with me. Didn’t mean to frighten.

FANCY
Just put old Betsy down by the fireplace then.

JOHNNY
I’m gonna. I’m gonna.

(JOHNNY walks over to WENDY, who has
stretched out on the sofa.)

JOHNNY
Hey, there little Miss. I’m your uncle Johnny Miller. I came to see you tonight. I heard you was sick enough to leave this world. I wanted to say my piece with you before you see the pearly gates.

WENDY
Yes, I remember you. You gave me the money for the bacon, you stole. Thanks for the money, Mister.

JOHNNY
Uncle Johnny. I am your uncle. Wendy. We are kin. We have the same eyes. Big, blue eyes. And we have a sense of the world, and our place in it, that these O’Briens, don’t have.

FANCY
That child is sick! I don’t want you upsetting her.




JOHNNY
This child is more than sick. I will say my piece. 29.

WENDY
My eyes is blue like yours Uncle Johnny.

JOHNNY
We are the same blood, Wendy. My brother was your Daddy. He loved your mother. He loved you and your sister, and even adopted little Sammy. And one night, your crazy grandfather decided to shoot your Daddy dead. So many bullets they had to dig out of him.

PAP
Only three.

JOHNNY
Three bullets is enough. There was enough blood. And what does your mother do. She is standing right there next to your daddy. Does she mourn him, like a wife would. No.

FANCY
Pap was shot in the heart. He was dead. I lost my mind. Blood was everywhere all over me. I found my way home to my girls and Sammy.

JOHNNY
Fancy O’Brien, you are the cause of all this grief. If you had found any one else but my brother, a Miller, to love. No grief would have ever come to you.

(FANCY rushes at JOHNNY and grabs
the gun, taking it away from him.)

FANCY
Get out of my house, Johnny Miller. Don’t ever come back, or I will shoot you, dead.

JOHNNY
I have some medicine for the child in the sack. A chest rub, that might help her some.

FANCY
Get out of here now Johnny Miller. Or, old Betsy will put a few holes through you, too.

PAP
Why not shoot the worthless Miller trash now, Fancy? They ain’t worth much.


FANCY
Quiet Pap. I seen enough blood, thanks to you. 30.

CHARLENE
I agree with Pap, Mommie. Shoot him, go ahead. They are the bane of our existence.

FANCY
The bane of our existence. Go now.

(JOHNNY leaves through the door in a
hurry.)

WENDY
The shoe box. My pretty, pretty shoe box.

FANCY (checking on WENDY)
You are burning up, Wendy. Oh, Lord. Quick, get me that chest rub.

PAP
We must sit and wait.

WENDY
Pap, I don’t feel so good.

PAP
I know just the thing to make you feel better Spunky.

WENDY
You always called me Spunky.

(PAP dances a jig with one leg,
while everyone claps. SAMMY plays
DIXIE’S LAND on his banjo.)



Curtain












          ACT TWO
31.
SCENE 1

     Mrs. TAYLOR’S COUNTRY STORE. Mrs. TAYLOR is a very gentile looking lady. She is nicely dressed. She is behind her counter serving a CUSTOMER. WILMA and CHARLENE enter.

Mrs. TAYLOR (to customer)
Nice to see you Mrs. Garrett, you come again soon. Say hi to little Rick for me.

(WENDY and CHARLENE move over to the
counter.)

Mrs. TAYLOR
Wendy and Charlene! So nice to see you two. Haven’t seen you in awhile Charlene. Are you getting shy on us all?

CHARLENE
Me shy, no never.

Mrs. TAYLOR
Wendy, I bet that you walked all this way for those magazines. Yes, I have them here for you. Just a second. I’ll get them from the back room.

(CHARLENE, looking at some lipsticks
suddenly steals one. WENDY notices.)

WENDY
Charlene!

CHARLENE
You shut up, you skinny runt!

(Mrs. TAYLOR returns with the
magazines.)

Mrs. TAYLOR
Here you go, little Wendy. Say, is that one of your shoe boxes. May I see it?

WENDY
Sure. I brought it for you to see.

MRS. TAYLOR
Look how fancy everything is. How precious.



WENDY 32.
Sometimes, I pretend I live in the shoe box. Sammy and me. And there is lots of food and candy, too.

Mrs. TAYLOR
You look well, now Wendy. It sure took you awhile to recover from that illness, didn’t it?

WENDY
Yes, it did. Sammy cheered me up. He played the banjo for me.

CHARLENE
That simpleton and his banjo!

Mrs. TAYLOR
Hush Charlene. Anyway, Wendy, I am so glad that you are well now.

 

 

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Copyright © 2002 Teresa Ann Salyer
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