DESCRIPTION
My observations, after reading the work of many aspiring young writers, prompted me to write this. It merely offers some common sense advice to any aspiring writer (including myself) and should not be misinterpreted as professional advice in any way. [988 words]
AUTHOR'S OTHER TITLES (47) 904 North (Poetry) A tale in verse form about a middle-aged musician/writer down on his luck and recently divorced (again) who moves into a high rise apartment on the ninth floor, which happens to be the same suite a yo... [1,479 words] A New Perspective (Essays) A different perspective on the 911 tragedy and its aftermath. [614 words] Are We There Yet? (Essays) An essay I never thought I'd have to write followed by a question I never thought I would have to ask. [1,013 words] Asleep At Last (Poetry) A man in a hospital bed is having difficulty falling asleep, but he soon will... [152 words] Bad Boy (Short Stories) A true story about a bad boy growing up in 1950. Was he just mischievous? Would his behavior be considered bad today? [2,844 words] Charlie And Mrs. Miller (Short Stories) A very short story about an old woman on her death bed whose last request is to see an old friend, much to the surprise of her daughters and granddaughters. 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Think Before You Write Richard Koss
The timeless aphorism "Look before you leap" is good advice for anyone. A modified version applicable to aspiring writers might read, "Think before you write."
I know many of us who write feel spontaneity is essential to creativity and "anything goes" seems to be the norm for writing style and format, particularly in today’s contemporary poetry. But much of the writing I’ve seen, especially from young, amateur writers, is an extended rambling of feelings, descriptions, and dialogue, the way an artist would slap a gob of paint on a canvas, leaving it to trickle and spread in all directions, hoping the result will impress someone.
Fundamental essentials like writing construction, diction, even grammar and punctuation, are often treated irreverently by many of these writers, as if they were merely necessary evils to contend with. I recommend that those deficient in these elements of writing get some help from tutors or enroll in a class. The use of good grammar and punctuation is never out of date or old fashioned. It will certainly help your readers understand you better and it could make the difference in someone reading your work or passing on it, after reading a paragraph or two.
Personally, I feel I’m first a story teller, then a writer. Much of the work I’ve read, especially by young people again, (and I don’t mean to pick on you young’ns) is so self-contained; writing about themselves, their experiences and their inquisitiveness as to why the world can’t be as they think it ought to be. I suppose this is to be expected.
Of course, the longer you live and the more you read yourself, and the more experiences you have, the easier it is, I think, to write stories about other people, places and things as opposed to writing about yourself. We can become very boring to ourselves if we’re not careful.
I also see a lot of writing about ideologies. Why can’t everyone love each other? Why must there be wars and bigotry and racism and much of the other realities of life that poets and philosophers and others have written about for centuries, over and over and over. Frankly, I’m bored with this kind of poetry and writing. Not because I’m apathetic, but because there’s nothing new about it, except maybe more ways to talk about it, many of which are not really original anyway.
If I sound cynical, perhaps I am. Although I’ve written non-fiction essays about politics and other subjects, I prefer to write stories. I don’t strive to present a social, moral, or political message in anything I write, unless it’s a natural byproduct of the story itself. For some writers, their only purpose in writing is to deliver such a message and they often wrap their message, whatever it may be, around a weak plot or story line..
The world of journalism has become an arena of opinionated, ideologically driven gladiators who couldn’t write or report news objectively if they tried. They wouldn’t know where to begin. In my opinion, many of them abuse the power they hold and use it to deliver their own message or the message of those who employ them. But that’s another story.
I enjoy writing immensely. I enjoy telling a story and building it, and shaping it and its characters, always trying to lead the reader along, hopefully peaking his or her interest and leaving them with an ending that will cause them to reflect back upon the story, savoring and remembering it. I don’t always succeed. I’ve written a lot of stories that were never submitted and some I’ve never even let anyone else read, quite honestly, because they’re not that good. After reading them over and over, I didn’t like them.. If I didn’t like my work, how could I expect someone else to. (incorrect grammar, but so what.)
Most of what I’ve learned about writing, (not that I’m so accomplished) I learned, not by taking writing courses, but by reading and reading a lot. The best advice I could give to any young person who wants to write well is to read a lot. Read the classics, read short stories, poetry, read anything and everything you can.
It’s easier to develop a writing style of your own when you read a variety of different authors as opposed to concentrating on a few you really like. You can learn a little from everyone, and from this vast, literary smorgasbord, you will be able to digest and store many writing techniques, styles and rhythms that you can retrieve at will to blend with your own creativity. But you will be at an extreme disadvantage if you have not mastered, or at least become proficient with the fundamental essentials referred to in an earlier paragraph- grammar, diction, punctuation, and spelling and vocabulary, to add a couple more.
I write fiction not to enlighten or educate, but to entertain. And the first person I’m obligated to entertain is myself. Whether my stories are happy or sad, funny, mysterious or scary, believable or not, it doesn’t matter to me as long as they entertain. I try to be as original as possible, but it is impossible to be completely original. Can a musical composer write a masterpiece with chords or notes that have never been played before? Of course not. But the sequence and inversion of the chord structure and the syncopation of the notes and the keys in which the music is written, present an infinite number of variations for the composer.
I envy many of the young people who submit their work for all to see. I wish I would have developed at such a young age, just half the interest in writing, many of them demonstrate. The quality of their work will improve as long as their spirit and desire stays alive and they continue to read and improve their skills. And above all, continue to write and write.
READER'S REVIEWS (8) DISCLAIMER: STORYMANIA DOES NOT PROVIDE AND IS NOT RESPONSIBLE FOR REVIEWS. ALL REVIEWS ARE PROVIDED BY NON-ASSOCIATED VISITORS, REGARDLESS OF THE WAY THEY CALL THEMSELVES.
"Thank-you Mr. Koss. That is excellent advice, some of what you said is downright quotable. In fact there were only two problems I had with it, uless your plan is to get people running for the dictionary for an exact definition on the words aphorism and irreverently. Since we're on this subject, might I ask if you would return the favor by looking over the story The Cotton Tale, I know it could be done much better, but I fail to see how, that's why I posted it in the first place. Thank-you again. " -- EC Allen.
"Richard, Writing is not learned, punctuation and grammar is learned. Writing is something that is given, and if you have not lived, you have not learned, and if you have not learned you have not written that masteriece, but to all, both young and old, if you wake in the morning and all you can think of is writing, then you are a writer no matter what the genre' I respect your opinion on what you have written," -- Janae D. Anthony.
"This is for Janae. "Punctuation and grammar ARE learned." A compound subject requires a plural verb. I agree that correct punctuation and grammar will not help a story or poem which lacks creativity or substance. But you can spoil a good piece with bad grammar and improper punctuation. It's like a wanna-be virtuoso playing a masterpiece filled with his mistakes. Proper diction, correct spelling, grammar, and punctuation are fundamental tools of good writing. Can someone become a brilliant architect without a basic understanding of carpentry, or masonry?" -- D Koss.
"Architect...masonry...carpentry? What the fuck are you on about this time. How dare you write this essay you unoriginal thief. Why not read something like Trainspotting by Irvine Welsh, or Further Adventures by Jon Stephen Fink and see how necessary perfect grammar etc. are. What I'm talking about DICK is freedom and originality, freedom of writing, and the originality to write something that is not constrained by these rules, trusting the intelligence of the reader to see through and become engrossed in the story. First you have to come up with something engrossing though, and you being a talentless possibly over-educated fuckwit couldn't possibly do such a thing. Slang DICK, usually grammar and spelling are out the fuckin window .andwhtwouldbewrongwithabandoninggrammarpunctuationetcifwhatyouaretryingtododoesnotrequireit.? What if,for example your character was not well educated and could only write pidgeon English? What if your character was completely nuts, or on speed or some other narcotic, and I'm not talking dialogue here, I'm talking characterisation and the originality and talent to create something new. DICK, you'll never amount to anything except an ignorant hypocrite, because you steal other peoples' work and you can't see past your textbook you sorry excuse for a person. Your work is like a car wreck, I read it because it's so bad, I have to see if it can get worse. I meant that in another review about reporting you, you're such a thief I'm sure someone would be interested in seeing you've attempted to copyright something you've nicked. You should be put in the stocks and pelted with eggs, you should be mocked in the centre of town for eight days and slapped on the ass with a hot poker, you should kill yourself, no-one should attend your funeral, you should die of shame, people will laugh about you after you're dead "Ha Ha Ha, he was the asshole who thought he was talented Ha Ha, and was really a complete bastard, writing other peoples' stories in his own words Ha Ha, and writing old jokes as his own stories..and removing all of the humour Ha Ha Ha what a prick". How old are you DICK, how long have you been churning out this offensive piss, do you friends and colleagues know what you get up to in your spare time? Is spare time all you have? Are you lonesome DICK? God it's fun insulting you because there is just so much wrong with what you write, and what you stand for, but I really must leave at this juncture, I've got a lead on your home address and I'm going to have you buggered by a large bear. OK, later DICK, see you at your next submission...wonder which writer will be stolen from this time. OOOHH the suspense. " -- Phil, London.
"Ah, Phil, Where are you hiding now? Dublin or London? You really have an eye for what's bad. I had a friend like you once. Hated establishment people, conformists, conservatism, God, morality, people who made money, etc. He was a very brilliant guy. A real artist. Finally shot himself. " -- D K.
"As a teenager who sometimes writes, and often reads, and reads other teenagers' stories often (if not always reviews...err...), I appreciate what you're written here. It's very applicable, especially the part about reading other authors. But I disagree with your interpretation of one thing: you say, and you mean it as criticism, that teens tend to focus on "...writing about themselves, their experiences and their inquisitiveness as to why the world can’t be as they think it ought to be. I suppose this is to be expected." I can hear the sigh after that last line. This is definitely to be expected. Teenagers don't have too much experience. We think we do sometimes, but we don't know too much about the world. I believe in the cliche "write what you know"; then you'll be truthful. Maybe teens shouldn't write about *ourselves*, but it's going to be more real than writing done about something that we have no experience with. (This is the major mistake that I make, writing about love and hate, pain and responsiblity, things I know little about.) Though it may be tiresome for adults to read, self-centered writing _is_ to be expected. I hope that some of the teens around here read your essay." -- Cait, --, --, USA.
"Thank You Cait. You are so right. What else can I expect young people to write about? You are light years ahead of me. When I was a teenager, I never dreamed of writing anything. All that stuff was for nerdy people. I wanted to be a Marine. I can tell by the way you express yourself, you already have a great head start. Instead of writing about real life experiences all the time, like love, hate, sadness, etc., try just making up a funny or less serious story about friends, parents, animals, whatever. Just let your imagination wander. I don't think everything we write has to be so philosophical, or thought provoking, or entirely truthful, for that matter. It's good to lighten up sometime. Good luck to you. " -- DK.
"Ehmm..m. Sehr gut Seite! Ich sage innig..!:) bmw" -- BMW, ..., ..., ....
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